Vol. 1 of Harald Vogels new edition is being issued almost exactly
100 years after the first modern edition (Denkmäler Deutscher Tonkunst,
Vol. I, 1893). It consists of three volumes corresponding to the
subdivision of the original print of 1624. It containts extensive
information on the repertoire, performance practice and types of organ,
and features the first translation of the Latin dedications.
This
edition exemplifies a new kind of editorial technique which consciously
eschews the modernization of many details in the original notation (e.g.
note values, time signatures or bar lengths ). The upright format
accentuates the suitability of the pieces for all keyboard instruments,
since almost all of the works can be played on one keyboard
(manualiter). The notation is on two staves throughout save for a
selection of pieces on three staves, whereby the cantus firmus is always
printed separately. The canonic pieces have been fully written out for
the first time.
Harald Vogel (b. 1941) is regarded as the leading authority in the field of the interpretation of north-German Renaissance and Baroque organ music. Concert tours throughout the world and CDs documents his far-reaching artistic activity. In 1972 he founded the North-German Organ Academy, which he still leads today. Vogel has proven his commitment to teaching through his professorship at the Conservatory in Bremen as well as through teaching positions in Germany and abroad.
Volume 1 awarded the German Music Edition Prize 1994.