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It is often overlooked that Antonio Vivaldi was not only skilled at
composing instrumental music, but that he also experimented with
long-established forms of sacred vocal music with equal sensitivity and
enjoyment.
The publication of a critical edition of his less well-known Credo
RV 592 makes one of these works available to a wider public. Credo -
Credo - Credo; almost every musical section begins with this devout
confession, thus breaking through the grammatical structure of a
long-established text; perhaps this was an entirely personal confession
of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi
was known, but also a reminder that despite a well-established
structure, not everything is predestined.
riduzione pianistica
CV4000905
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